Outrage in Pakistan After Dhurandhar Uses Benazir Bhutto’s Image

Bollywood’s latest release Dhurandhar has sparked controversy in Pakistan after the film featured direct references to Pakistani political figures and parties, including visuals of former Prime Minister Benazir Bhutto and Pakistan Peoples Party (PPP) banners. Pakistani political and cultural circles have criticized the film for what they call a “biased political depiction” and “distortion of historical context.”

Scenes in the film’s trailer and certain sequences show political posters and imagery closely associated with PPP, including Benazir Bhutto’s photograph, which Pakistani commentators argue have been placed in a negative or sensationalized cinematic backdrop. Critics say the film attempts to link Pakistan’s political history with a storyline centered on crime networks and regional hostility, creating an impression that real political entities are part of a fictionalized, destabilizing environment.

PPP officials, responding informally, described the use of Benazir Bhutto’s image as “inappropriate” and “provocative,” insisting that a national figure known for her democratic struggle has been placed in a narrative that seeks to heighten tension rather than reflect reality. According to party sources, the inclusion appears aimed more at dramatic effect than historical accuracy.

The portrayal of a character resembling former Karachi police officer Chaudhry Aslam has drawn further criticism. His family has expressed outrage, calling the depiction “insulting and misleading,” and has hinted at possible legal action. This response has strengthened the perception that the film uses sensitive Pakistani personalities and institutions merely as dramatic devices to amplify its thriller elements.

Political analysts in Pakistan say that while Bollywood has long depicted Pakistan in a negative or adversarial light, Dhurandhar goes further by incorporating identifiable political figures and party symbols. They argue that the film simplifies complex regional and domestic politics and imposes a narrative that fuels mistrust between the two countries.

Film critics in Pakistan note that despite the movie’s high production quality, its political content appears unnecessary, unbalanced, and lacking diplomatic sensitivity. Among the general public, the perception is growing that the film once again uses Pakistan’s internal politics and prominent personalities as tools for cinematic sensationalism.

Pakistan’s Ministry of Information has not issued an official statement, but political voices across the spectrum agree that the film’s depiction of Pakistani political references may widen the existing narrative divide between India and Pakistan.